tchaikovsky piano concerto 1 best recording

With speeds which are fast but never breathless and with the most vivid recording imaginable, this is as exciting an account as we have had of this symphony. Tiempo, Sergio (piano) / Swiss Italian Orchestra / Rabinovitch-Barakovsky, Alexandre (conductor)Recorded 2009.06.29 live in Lugano, Palazzo dei Congressi. All three movements are in the home key and thematically linked yet are enticingly diverse, the first with strong contrasts of dynamic and tempo, the second a most engaging scherzo (marked non agitato and with slower interludes), while the rondo finale bursts with energy (especially as presented here). Dermak, Patrick (piano) / K&K Philharmonic / Kendlinger, Matthias G. (conductor)Recorded 2006.11.21 in Dusseldorf, Robert-Schumann-Saal. Not even Cherkassky at his finest possesed a more elfin sense of difference or caprice. Bianca, Sondra (piano) / Paris Conservatoire Orchestra / Carl Bamberger (conductor)Recording date unknown. London Philharmonic Orchestra / Vladimir Jurowski (LPO) Recorded live 2008. Hough, Stephen (piano) / Minnesota Orchestra / Vänskä, Osmo (conductor)Recorded 2009.10.02-03 live in Minneapolis, Orchestra Hall. 2 in C Minor, Op. Horowitz, Vladimir (piano) / Philadelphia Orchestra / Reiner, Fritz (conductor)Recorded 1932.02.05-06 at the Bell Telephone Laboratory. And to ensure that we’ve grasped the measure of his despair, he repeats himself. Browse: Tchaikovsky - Piano Concerto No. A splendid recording from the hugely impressive Julia Fischer. Gilels, Yelena (piano) / USSR State Symphony Orchestra / Svetlanov, Yevgeny (conductor)Recorded 1968.02.20 live in Moscow. The playing, again, is lovely. Cordoba, Alicija da [*] (piano) / Belgrade Symphony Orchestra [*] / Badrossian, Aram [*] (conductor). 23 (1874) [33.18]Piano Concerto No. Magaloff, Nikita (piano) / North German Radio Symphony Orchestra / Schmidt-Isserstedt, Hans (conductor)Recorded 1961 live in Hamburg. Also issued under various pseudonyms. Lill, John (piano) / London Symphony Orchestra / Judd, James (conductor)Recorded 1987.12.17-18 in London, Henry Wood Hall. Solomon (piano) / Hallé Orchestra / Harty, Hamilton (conductor). Gilels, Emil (piano) / Bolshoi Theatre Orchestra / Samosud, Samuil (conductor)Recorded 1947.05.20-26 in Moscow. Procopolis, Paul [*] (piano) / Leipzig Pro Arte Symphony Orchestra [*] / Ramifski, Gorg [*] (conductor). I opening only. Misha Didyk, Tatiana Serjan, Larissa Diadkova, Alexey Shishlyaev, Alexey Markov, Kinderchor der Bayerischen Staatsoper & Chor and Symphonieorchester des Bayerischen Rundfunks / Mariss Jansons (BR Klassik). Abduraimov, Behzod (piano) / RAI National Symphony Orchestra / Valčuha, Juraj (conductor)Recorded 2013.07.10-12 in Turin, RAI Toscanini Auditorium. Listening to Matsuev and Gergiev is the aural equivalent of watching Federer and Nadal, friends off the tennis court but ultra-competitive on it, each determined to outdo the other with supreme athleticism and an arsenal of exquisite passing shots. Nonetheless, the Orchestra of St Luke’s is a Classically sized and inclined ensemble. Derek, Philip van [*] (piano) / The Sonor Symphony Orchestra [*] / Ledermann, Hans [*] (conductor). Recommendation Request. The Leningrad Philharmonic play like a wild stallion only just held in check by the willpower of its master. Cliburn, Van (piano) / RCA Victor Symphony Orchestra / Kondrashin, Kirill (conductor)Recorded 1958.05.30 in New York, Carnegie Hall. Salvato, Juan (piano) / Concert Hall Orchestra / Selva, Antonio (conductor)Recording date unknown. Foster, Sidney (piano) / Utah Symphony Orchestra / Abravanel, Maurice (conductor)Recorded 1966.01.15 live in Salt Lake City. Uninsky, Alexander (piano) / Hague Residentie Orchestra / Otterloo, Willem van (conductor)Recorded 1951.10.12-13 in Amsterdam, Concertgebouw, Grote Zaal. Fayerman, Mikhail (piano) / Belgian RTV Symphony Orchestra / Hoffmann, Irwin (conductor)Recorded 1975.05.31 live in Brussels, Palais de Beaux-Arts. There are a couple of other light moments – ‘Cuckoo’, one of 16 children’s songs composed in the 1880s, and a ‘Gypsy Song’ from around the same time. No superfluous tam-tam, thankfully. Argerich, Martha (piano) / West-Eastern Divan Orchestra / Barenboim, Daniel (conductor)Recorded 2019 live in Salzburg, Großer Festspielhaus. His boldest step is to lend Brucknerian nobility to the theme’s return on full horns at the movement’s climax: it’s much less crude than any other version I’ve heard and brings a new pathos to the coda. Leimer, Kurt (piano) / Nuremberg Symphony / Kloss, Erich (conductor)Recording date unknown. His very powerful and at the same time incredibly sensitive kind of playing is absolutely ingenious. It’s a Pushkin short story. Oborin, Lev (piano) / Moscow Radio Symphony Orchestra / Gauk, Aleksandr (conductor)Recorded 1948.03.27. I remember the storm unleashed by that recording 25 years ago. He fires to anger with a touch of the heroic in his tone when challenged by Lensky, becomes transformed and single-minded when he catches sight of the ‘new’ Tatyana at the St Petersburg Ball. Lombardi, A. Santa Cecilia Academy Chorus and Orchestra, Rome / Antonio Pappano (EMI / Warner Classics). In his hands, the music is like a living thing; one senses that each performance will have its own individual character. The difference in scale tells not in lack of impact but the reverse. Dmitri Hvorostovsky bar Eugene Onegin Nuccia Focile sop Tatyana Neil Shicoff ten Lensky Sarah Walker mez Larina Irina Arkhipova mez Filipyevna Olga Borodina contr Olga Francis Egerton ten Triquet Alexander Anisimov bass Prince Gremin Hervé Hennequin bass Captain Sergei Zadvorny bass Zaretsky Orchestre de Paris; St Petersburg Chamber Choir / Semyon Bychkov (Philips). The recording was made in an (unnamed) ecclesiastical acoustic of suitable resonance, and sounds well. The names of the orchestras, choruses or chamber ensembles performing on the recording. 1 This concerto took two different forms – symphony, then two-piano sonata – before settling down as a concerto. Argerich, Martha (piano) / Bavarian Radio Symphony Orchestra / Kondrashin, Kirill (conductor)Recorded 1980.02.07-08 live in Munich, Herkulesaal. José Serebrier writes an illuminating note on the genesis of each of the three, together with an analysis of their structure. Not even Cherkassky at his finest possesed a more elfin sense of difference or caprice. I haven´t heard the issue. Best recording of Tchaikovsky’s first piano concerto? 1 in B-Flat Minor, Op. Listen to many of the recordings in our Tchaikovsky: Great Recordings playlist on Apple Music... Denis Matsuev pf Mariinsky Orchestra / Valery Gergiev (Mariinsky). This isn’t only because of the quality of the music, which is here played including additions the composer made after the premiere, but also thanks to the richly idiomatic playing of Charles Dutoit and his Montreal orchestra in the superb and celebrated location of St Eustache’s Church in that city. Leningrad Philharmonic Orchestra / Evgeny Mravinsky (DG) Recorded 1960. Andrei Bondarenko, Dmytro Popov, Justyna Samborska, Olesya Golovneva, Dalia Schaechter, Marta Wryk, Marc-Olivier Oetterli, John Heuzenroeder, Alexander Vinogradov, Vladislav Sulimsky Gürzenich-Orchester Köln, Chor der Oper Köln / Dmitri Kitaenko (Oehms Classics). I opening only. Neither protagonist is anxious to linger sentimentally along the way and Gergiev, sometimes routine in concerto recordings, is here fiercely energised – giving as good as he gets, as it were, from his soloist – to the point after the orchestral tutti at 10'55" that you wonder how Matsuev is going to match him. Paik, Hae-Sun (piano) / National Orchestra of Belgium / Zollman, Ronald (conductor)Recorded 1991 live in Brussels. Pierre Boulez – no conductor of Tchaikovsky – used to give performances that rendered a pocket score redundant. I opening only. It’s one of the longest concertos ever written – although the composer wryly called it a “tiny, tiny piano concerto”. Muraro, Roger (piano) / Lithuanian State Symphony Orchestra / Rinkevičius, Gintaras (conductor)Recorded 2001.06.02-05 in Vilnius, Congress Concert Hall. The second movement’s variations open gently but soon develop the widest range of style, moving through Tchaikovsky’s kaleidoscopic mood-changes like quicksilver and often with elegiac lyrical feeling. The most interesting morsels come from the ‘dramatic chronicle’ Dmitri the Pretender and Vassily Shuisky: a darkly contemplative and fleetingly tormented Introduction and a rather graceful Mazurka. 07:04. Olga Borodina is a perfect Olga, spirited, a touch sensual, wholly idiomatic with the text – as, of course, is the revered veteran Russian mezzo Arkhipova as Filipyevna, an inspired piece of casting. But the real miracle of this first movement is the vision of idealised love emerging so tenderly in what one might normally call the development. Lang, Hans [*] (piano) / Norddeutsche Phlharmonie [*] / Zanotelli, Hans [*] (conductor)Recording date unknown (1972 or earlier). The Souvenir de Florence, originally written for string sextet, makes a welcome appearance here in Tchaikovsky’s own arrangement for string orchestra. 23 This page lists all recordings of Piano Concerto No. A longstanding favourite, this, with Previn and the LSO also on top form. Votapek, Ralph (piano)) / Boston Pops Orchestra / Fiedler, Arthur (conductor)Recording date unknown (1977 or earlier). Donohoe, Peter (piano) / Bournemouth Symphony Orchestra / Barshai, Rudolf (conductor)Recorded 1988.07.18-20 in Poole, Arts Centre, Wessex Hall. No complaints about Orfeo’s ‘take you there’ sound either. Kessler, Hans [*] (piano) / Tonkünstler Orchestra Vienna / unidentified (conductor). Moiseiwitsch, Benno (piano) / Philharmonia Orchestra / Weldon, George (conductor)Recorded 1945.08.30-31 live in London, Friends' Meeting House, Euston Road. J Fischer; Russian National Orch / Kreizberg (Pentatone). This list of recordings of Tchaikovsky's Piano Concerto No. Abridged [5]. Gavrilov, Andrey (piano) / Moscow Radio Symphony Orchestra / Kitayenko, Dmitry (conductor)Recorded 1974.06 live. The 2nd Concerto has more recordings of the original version. 79 (orchestrated 1897 Sergei TANEYEV ) (1893) [19.52]Konstantin Scherbakov, pianoRussian Philharmonic Orchestra/Dmitry Yablonsky What we don’t have here is a Nutcracker to enhance the ambience of a room lit by Christmas tree lights and a log fire. Helfgott, David (piano) / Elizabethan Trust Melbourne Orchestra / Hopkins, John (conductor)Recorded 1987.05.25 live in Sydney, Town Hall. Sokolov, Grigory (piano) / Duisburg Philharmonic / Weil, Bruno (conductor)Recorded 1995.11.22. Again at the opening of the Little Russian (No 2), horn and bassoon capture that special Russian colouring, as they do in the engaging Andantino marziale, and the crisp articulation in the first-movement Allegro is bracing. Groslot, Robert (piano) / National Orchestra of Belgium / Octors, Georges (conductor)Recorded 1978.06.01 live in Brussels, Palais des Beaux-Arts, Grande Salle. Petrenko makes Valery Gergiev’s LSO Live account sound sluggish, with an especially thrilling first-movement coda (from 12'50"). Matrix CS 66326. In the Tchaikovsky Rococo Variations, Rostropovich uses the published score rather than the original version. Woodward, Roger (piano) / Beijing Symphony Orchestra / Tan, Lihua (conductor)Recorded 1990.07 live in Beijing, Haidan Theatre. 75 BÉLA BARTÓK - Piano Concerto No. Nowhere does the link with Mravinsky emerge more clearly than in the finale, where he adopts a tempo very nearly as hectic as Mravinsky’s on his classic DG recording. Horowitz, Vladimir (piano) / New York Philharmonic Orchestra / Walter, Bruno (conductor)Recorded 1948.04.11 live in New York, Carnegie Hall. His fantasy overture, written for a charity event three years earlier, was heard again, this time filleted to roughly half its original length and reduced in scoring to the requirements of a theatre orchestra. Rubinstein, Artur (piano) / Philharmonia Orchestra / Giulini, Carlo Maria (conductor)Recorded 1961.05.16 live in London, Royal Festival Hall. All from the standard version of the concerto. Bruchollerie, Monique de la (piano) / Württemberg State Orchestra Stuttgart / Dünnwald, Josef (conductor)Recorded 1946.05.07 in Stuttgart, Staatstheater. Berlin Philharmonic Orchestra / Herbert von Karajan (DG). 23 by Piotr Ilyich Tchaikovsky (1840-93). Pogorelich, Ivo (piano) / London Symphony Orchestra / Abbado, Claudio (conductor)Recorded 1985.06.09-10 in Watford, Town Hall. 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