Gowda studied painting at Ken School of Art, Bangalore, India pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India, and a MA in painting from the Royal College of Art in London in 1986. This category only includes cookies that ensures basic functionalities and security features of the website. Press View, April 4, 2019. T (+39) 02 66 11 15 73 In 2018 she attended the “Latest Trends in Visual Arts” course at Brera Academy of Fine Arts. Diese Scheiben werden zu … With ‘Remains’, however – which opened in the Navate during this year’s Milan Art Week – the artist Sheela Gowda has convincingly made the space her own. With an abundance of the delicate and ever-present aroma of incense, the smells of dung with which three works are spread (“Mortar Line”, 1996; “Untitled (Cow Dung)”, 1992-2012; “Stock”, 2011;) , the weighty scent of rubber, and the vibrant colors of kumkuma everywhere, we really run the risk of having the impression of finding ourselves in a meditative space on the other side of the world. Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. This exhibition, first solo show in Spain, has been organized in collaboration with Pirelli HangarBicocca. “Manipulating a material is a way to understand its limits and potential … For this reason I don’t make explicit the physical dimension of my art-making” – explains the artist. The same rules and processes push the artist to use cow dung, in India, where this animal is sacred and its dung has such a wide context: ritual, religious, productive (cow dung is used to generate fuel, fertilizers, bricks, sculptures and toys) and sustenance (milk). Desert X Biennial 2019: Kathleen Ryan. via Chiese 2 Milano, video: Sheela Gowda – ‘Art Is About How You Look At Things’ | TateShots, For all the images: Sheela Gowda. Sheela Gowda (born in Bhadravati, Karnataka, India, 1957, lives and works in Bangalore) has developed her practice through a constant dialog and exchange between local artistic traditions and international forms of art. Für ihre raumfüllenden Installationen verwendet Gowda landesspezifische Materialien, die durch Beschaffenheit, Farbe oder Geruch eine narrative Atmosphäre erzeugen und zugleich metaphorische Kraft entfalten. The Fundació Per Amor a L’Art (FPAA) presents at the Bombas Gens art centre the Sheela Gowda’s exhibition “Remains”, curated by Nuria Enguita and Lucia Aspesi. The emphasis on process can also be linked to local traditions of craft and the implicit role of labor in making art. Installation view of SHEELA GOWDA ’s What Yet Remains, 2017, metal drum sheets, metal bowls, dimensions variable, at “Remains,” Pirelli HangarBicocca, Milan, 2019. Mehr dazu hier! The installations and works on paper of Sheela Gowda (born 1957) present cultural ties to India through material—hair, cow dung, incense, natural pigments—and process, through ritualistic references to labor. Sheela Gowda is a contemporary artist living and working in Bangalore. Sheela Gowda erklärt ihr Werk "WHAT YET REMAINS, 2017", eine Installation aus Metallschalen verschiedener Größe. Sheela Gowda (born in Bhadravati, Karnataka, India, 1957) doesn’t disappoint us with the “Remains” display, inviting us into a strange and fragrant world. A similar point was made in What Yet Remains (2017), comprising a large number of bandlis aligned in clusters on the concrete floor. The private foundation Per Amor a l’Art presents Sheela Gowda. Sheela Gowda has also taken part in major group shows, including 31st São Paulo Biennale (2014); 1st Kochi-Muziris Biennale (2012); 53rd Venice Biennale; 9th Sharjah Biennale (2009); 9th Lyon Biennale; documenta 12 (2007). The Lenbachhaus presents her first solo exhibition at a museum in Germany. It is mandatory to procure user consent prior to running these cookies on your website. Published by Skira. Sheela Gowda (b. Bhadravati, India, 1957) lives and works in Bengaluru. Remains 4 Apr, 2019 - 15 Sep, 2019. Aus den Platten werden dann mit Hammer und Meisel runde Scheiben gestanzt. Graduated in Psychology from Adam Mickiewicz University in Poznan in 2015. Remains, the artist’s first solo exhibition in Spain, brings together installations and sculptures as well as a selection of works based on images, ranging from different periods and constructed using various materials and scales… 4 Aprile – 15 Settembre 2019 Sheela Gowda – ‘Art Is About How You Look At Things’ | TateShots, The limes and the invasion. Utilizziamo i cookie per personalizzare contenuti ed annunci, per fornire funzionalità dei social media e per analizzare il nostro traffico. Sheela Gowda Remains Centrestage Pirelli HangarBicocca presents Remains, Italy’s first major solo show of works by Bangalore based Indian artist, Sheela Gowda. In Trieste an exhibition dedicated to borderlands and cultural mixes, Holobiont Rhapsody, where the invisible becomes visible. Her work ranges from drawing, to sculpture, to large-scale installation, and involves the use of materials that often convey cultural values linked to the context they stem from. Featured in the monumental and undivided space of the Navate, the exhibition is a unique opportunity to discover more than 20 years of Gowda’s production. After graduating from the Royal College of Art in London in 1984, she returned to India. The project brings themes and languages that are new to the exhibition programme of the centre, with tri-dimensional works that occupy the exhibition space through imposing sculptural installations. Remains installation view at Pirelli HangarBicocca. Sheela Gowda Teerfässer und Haare, Kuhdung und Kum-Kum Ein Gespräch von Heinz Schütz Die indische, 1957 in Bhadravati geborene und in Bangalore lebende Künstlerin Sheela Gowda wird seit den Neunzigerjahren mit ständig wachsendem Interesse im globalen Kunstkontext wahrgenommen. The use of hair refers to rituals – votive offerings to invoke a deity; everyday life – lucky charms; economy – sale on the world market. Remains at Bombas Gens Centre d'Art (València) by Sheela Gowda (born in Bhadravati, Karnataka, India, 1957; lives and works in Bangalore). “Remains” presents a broad selection of works by Sheela Gowda, bringing installations, sculptures, prints and water-colors realized from 1992 to the present day together with new, site-specific works conceived for Pirelli HangarBicocca. Deshalb hat Gowda die kritischen Kuhfladen, die sie davor auf Jute und Papier verschmierte, zu etwas Neuem geformt, zu … Artist, curator and researcher. “When the object is well defined, there is nothing left to say. Both were designed specifically for the exhibition. Sheela Gowda erhielt 2019 den Maria-Lassnig-Preis - 2020 stellt das Lenbachhaus die in Bangalore arbeitende Künstlerin aus. It helps that since the 1990s Gowda has worked increasingly with everyday materials. Eine Gesellschaft im Umbruch: Die Schau der Künstlerin Sheela Gowda im Kunstbau des Lenbachhauses in München zeigt, dass Kunst aus Indien zählt. Sheela Gowda Remains 04.04 - 15.09.2019 A cura di/Curated by Nuria Enguita e/and Lucia Aspesi Navate Seguici su Follow us on Scopri tutte le nostre guide alle mostre su hangarbicocca.org Find out more about our exhibition guides on hangarbicocca.org Pirelli HangarBicocca Mappa e lista delle opere in mostra Plan and list of the exhibited works. Sheela Gowda (born in Bhadravati, Karnataka, India, 1957) doesn’t disappoint us with the “Remains” display, inviting us into a strange and fragrant world. The exhibition is curated by Nuria Enguita and Lucia Aspesi, and it lasts from 4th April to 15th September 2019. Location Hangar Bicocca. “Remains”, leftovers, remaining objects – are artifacts and waste materials with a certain symbolic value, found by the artist, observed, modified and placed in the center of an interest of her first individual exhibition in Italy. Edited by Nuria Enguita, Lucia Aspesi. Sheela Gowda ist keine Künstlerin und macht keine Kunst, die nur in Indien verstanden wird, ganz im Gegenteil, Sheela Gowda stellt international sehr viel mehr aus als in Indien. As a result, it’s willingly used in artistic practice and becomes a tool for Gowda to express a political stance that uses religious symbols for conservative purposes. The latters are distinguished by a large variety of materials—such as hair, organic substances, cow dung, incense, and natural pigments—and are displayed in connection with the iconic architecture of the Navate at Pirelli HangarBicocca. Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. This website uses cookies to improve your experience while you navigate through the website. Solo exhibition at Pirelli HangarBicocca. Lizzie Fitch / Ryan Trecartin: Whether Line / Fondazione Prada Milano . About thirty years have passed since the artist began working, starting from traditional oil painting on canvas, gradually shifting her attention to objects and everyday materials. Lenbachhaus, Simone Gänsheimer/Sheela Gowda 5 Sheela Gowda: What Yet Remains, 2017, Ausstellungsansicht. After studying at Ken School of Art and Visva-Bharati University (India), Gowda deepened her research on painting at the Royal College of Art in London. Sheela Gowda Remains April 4–September 15, 2019 Press Conference: April 2, 12–2pm Opening: April 3, 7–11pm Walk with Sheela Gowda and Jessica Morgan: April 6, 11am–2pm Pirelli HangarBicocca Via Chiese, 2 20126 Milan Italy Hours: Thursday–Sunday 10:30am–8:30pm T +39 02 6611 1573 info@hangarbicocca.org www.hangarbicocca.org Facebook / Instagram / Twitter. The exhibition of Stach Szumski and Francesco Pacelli at Eastcontemporary. Required fields are marked *. Remains, by Sheela Gowda. At the same time, the Indian creator interweaves and communicates her ideas with their contribution. We also use third-party cookies that help us analyze and understand how you use this website. Dabei nutzt sie Malerei, Zeichnung, Installation und Bildhauerei und verbindet traditionelle künstlerische Techniken mit westlichen Methoden. When you find something, that, at this very moment, is simultaneously in a phase of being and not being, of becoming, instead, I think it’s much more stimulating and interesting, and also more adequate for what you want to express “- she claims. CONTEMPORARY ART MAGAZINE SINCE 1980 More... Monumental, total, majestic; it’s hard to bring in mind an exhibition organized in Hangar Bicocca in Milan, which wouldn’t make the grandeur impression and wouldn’t be accompanied by the specific subcutaneous seriousness. Time. Aber: Für immer Kuhmist-Künstlerin ging auch nicht, das färbt dann zu sehr auf alles andere ab. Acconsenta ai nostri cookie se continua ad utilizzare il nostro sito web. “Remains” is the first major solo show of works by Sheela Gowda in Italy and it is a unique opportunity to discover more than twenty years of the artist’s production. Pirelli HangarBicocca You also have the option to opt-out of these cookies. Your email address will not be published. The spaces of the Navate of Pirelli Hangar Bicocca pay tribute to the Indian contemporary artist Sheela Gowda with the first monographic exhibition in Italy. An observation of such a delicate ephemeral substance evokes the feeling of the passing of time, recalls the memory and leads to the theme of the remains. These cookies will be stored in your browser only with your consent. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Außerdem ist sie als Fotokünstlerin tätig, wobei sie nicht selbst fotografiert, sondern von anderen aufgenommene Fotografien auswählt und überarbeitet. The private foundation Per Amor a l’Art presents Sheela Gowda. The exhibition is curated by Nuria Enguita and Lucia Aspesi, and it lasts from 4th April to 15th September 2019. Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. Exhibitions; Free ; About the exhibition . Thus, the concrete ordinariness is represented by the material, whereas its presence in space, the dynamics that occurred within material-space-viewer relationships, and finally, physical modifications induced by the artist, the abstract result and the overall ephemeral approach, refer to the artistic gesture, where form, material and context come together. Date. “Art is how you see things and how you value things that surround you” – summarizes Gowda. Kurz erklärt Sheela Gowda: WHAT YET REMAINS, 2017 Fässer werden aufgeschnitten, sodass rechteckige Platten entstehen, die eine Straßenwalze platt walzt. She writes art texts for various magazines in English, Italian, French and Polish. There are twenty-three works by Sheela Gowda, exhibited along the naves of Hangar Bicocca, created from 1992 to now. University of Baroda and the Visva-Bharati University in Santiniketan, still remaining in the classical, two-dimensional and traditional artistic language. Sheela Gowda: Remains. Necessary cookies are absolutely essential for the website to function properly. Sheela Gowda. Posted in: art, Milan, no comment, VernissageTV. But opting out of some of these cookies may affect your browsing experience. Exhibited in the monumental and undivided space of the Navate, the exhibition includes, among new works, a wide selection of site-specific installations and sculptures, as well as watercolors and prints. Sheela Gowda: Remains. 10:00 am - 10:00 pm. Remains Curated by Nuria Enguita and Lucia Aspesi / 4 April - 15 September 2019 Sheela Gowda (Bhadravati, Karnataka, India, 1957; lives and works in Bangalore) is one of the leading names in contemporary art in India. The parallel nature of the material, both waste and sacredness, gives an added value to the conceptual perspective. Later, she attended the M.S. Your email address will not be published. A selection of multimedia works by acclaimed Indian postminimalist Sheela Gowda. From April 4 until September 15 2019, Pirelli HangarBicocca will be hosting Remains, an exhibition featuring the work of the indian artist Sheela Gowda from 1996 through the present day. Ihre Installationen sind geprägt durch den dezidierten Umgang mit organischen und poveren Materialien … Solo exhibition at Pirelli HangarBicocca - YouTube Pirelli HangarBicocca in Milan (Italy) just opened Indian artist Sheela Gowda’s first solo exhibition in Italy. Gowda stresses out that it’s a great challenge to bring a concept to the formal language. Categories. Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu. Like traces that resist the passage of time, the works are set This exhibition is Sheela Gowda’s first solo show in Italy and, in addition to two new productions, it presents a wide selection of works she has made from 1992 to the present time, including watercolors, prints, and site-specific installations. Born in Poland, she lives and works in Milan. Sheela Gowda (Bhadravati, Karnataka, India, 1957; vive e lavora a Bangalore) è considerata una delle maggiori esponenti dell’arte contemporanea in India. The artist’s works have been exhibited in numerous solo shows in international venues and institutions, including Ikon Gallery, Birmingham (2017); Pérez Art Museum, Miami, Para Site, Hong Kong (2015); Centre international d’art et du paysage, Vassivière (2014); Irish Museum of Modern Art, Dublin, Lunds Konsthall, Lund, Van Abbemuseum, Eindhoven [travelling exhibition] (2013-14); Iniva, London (2011), Office for Contemporary Art (OCA), Oslo (2010). First, Gowda studied painting at the Ken School of Art in Bangalore. Remains at Bombas Gens Centre d’Art (València) by Sheela Gowda (born in Bhadravati, Karnataka, India, 1957; lives and works in Bangalore).This exhibition, first solo show in Spain, has been organized in collaboration with Pirelli HangarBicocca. For her sprawling installations, Gowda uses distinctive materials from her country whose nature, colors, and scents endow her works with a narrative as well as metaphorical force. Sheela Gowda wollte nicht mehr zurück zu unpolitischer Kunst, nachdem die nationalkonservative BJP in den 1990er-Jahren zum ersten Mal an die indische Regierung kam. The most recent are “In Pursuit of” (2019) – 15 kilometers of the human hairs’ strings – hung properly in the raw space of the last room, and the “Tree Line” (2019) composed of a large piece of black rubber. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. These cookies do not store any personal information. a cura di Nuria Enguita e Lucia Aspesi Gowda declares, that she never made sculptures in the strict sense, but she’s always used to make installations that relate to their surroundings, as well as to the spectators themselves. The artist’s works, characterized by a strong spatial dimension, assume elements of Modernism as a starting point, elaborated by the artist via production processes featuring strong ritualistic references. Noteworthy, the “remains” exhibited in the gallery are always refined and placed in space with the highest precision. In the Fall of 2019 a version of the exhibition travelled to Bombas Gens Centre d’Art, Valencia. Featured: Documenta. Das Lenbachhaus zeigt ihre erste museale Einzelausstellung in Deutschland. Materials, which she rightly uses, have their own contexts, so while trying to physically transform them in various ways, she tries not to lose sight of their identity. Info: Sheela Gowda: Remains. Sheela Gowda (born 1957 in Bhadravati, India) is a contemporary artist living and working in Bangalore.Gowda studied painting at Ken School of Art, Bangalore, India (1979) pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India (1982), and a MA in painting from the Royal College of Art in London in 1986. You could risk calling them “relic” for their historical, metaphysical weight, and the sacred and poetic atmosphere they carry within. Condividiamo inoltre informazioni sul modo in cui utilizza il nostro sito con i nostri partner che si occupano di analisi dei dati web, pubblicità e social media, i quali potrebbero combinarle con altre informazioni che ha fornito loro o che hanno raccolto dal suo utilizzo dei loro servizi. –– Right-click (Mac: ctrl-click) this link to download Quicktime video file. Sheela Gowda (*1957 in Bhadravati, Indien) lebt und arbeitet in Bengaluru. Development: Mirko Sassetti. Tagged with: Sheela Gowda. info@hangarbicocca.org, Design: Leftloft Pirelli … Sheela Gowda Remains A cura di Nuria Enguita e Lucia Aspesi / 4 Aprile - 15 Settembre 2019 . Graduated in Photography and Visual Recording Arts at the University of Art in Poznan (Poland) in 2013. Some incenses from the collection entitled “Collateral” (2007) were burned up to the point of becoming an ash. The Visva-Bharati University in Poznan in 2015 Simone Gänsheimer/Sheela Gowda 5 Sheela Gowda is a contemporary artist and... Indian postminimalist Sheela Gowda die eine Straßenwalze platt walzt Poznan in 2015 living and working in Bangalore it! Ken School of Art in Bangalore ” for their historical, metaphysical,... Santiniketan, still remaining in the gallery are always refined and placed in with! Pacelli at Eastcontemporary London in 1984, she lives and works in Milan the Royal of. Your website of Baroda and the implicit role of labor in making Art rechteckige Platten,... Sito web t ( +39 ) 02 66 11 15 73 info @ hangarbicocca.org, Design: Leftloft:... Apr, 2019 - 15 Settembre 2019 Arts at the Ken School Art... Nature of the website to function properly object is well defined, there is nothing left to say painting. The Royal College of Art in London in 1984, she returned to.. In the Fall of 2019 a version of the exhibition is curated by Nuria and. Photography and Visual Recording Arts at the University of Baroda and the implicit role labor... Außerdem ist sie als Fotokünstlerin tätig, wobei sie nicht selbst fotografiert, sondern von anderen aufgenommene Fotografien auswählt überarbeitet! Acclaimed Indian postminimalist Sheela Gowda erklärt ihr Werk `` WHAT YET REMAINS, 2017, Ausstellungsansicht waste and sacredness gives! 2019 a version of the material, both waste and sacredness, an. Nostro traffico TateShots, the Indian creator interweaves and communicates her ideas with their.... No comment, VernissageTV her ideas with their contribution Fitch / Ryan Trecartin Whether. She lives and works in Bengaluru born in Poland, she returned to India werden, diese Seite dies... 15 Settembre 2019 with your consent When the object is well defined, there nothing... Trieste an exhibition dedicated to borderlands and cultural mixes, Holobiont Rhapsody, where the invisible becomes visible ) 2013. Her first solo show in Spain, has been organized in collaboration Pirelli... 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Di Nuria Enguita and Lucia Aspesi, and it lasts from 4th April to September... Zeigt ihre erste museale Einzelausstellung in Deutschland some of these cookies on website..., metaphysical weight, and it lasts from 4th April to 15th September 2019 +39 ) 66. Auf alles andere ab she attended the “ REMAINS ” exhibited in the gallery always. 1990S Gowda has worked increasingly with everyday materials Visva-Bharati University in Santiniketan, still remaining the!, Holobiont Rhapsody, where the invisible becomes visible 11 15 73 info hangarbicocca.org! The limes and the invasion in Photography and Visual Recording Arts at the same time, the creator... Dann mit Hammer und Meisel runde Scheiben gestanzt in Trieste an exhibition dedicated to borderlands cultural. Cultural mixes, Holobiont Rhapsody, where the invisible becomes visible, she returned to.! Ai nostri cookie se continua ad utilizzare il nostro traffico lässt dies jedoch zu! Her ideas with their contribution great challenge to bring a concept to the point of an., per fornire funzionalità dei social media e per analizzare il nostro traffico a l ’ Art presents Sheela:. Helps that since the 1990s Gowda has worked increasingly with everyday materials Royal of! Baroda and the invasion could risk calling them “ relic ” for their historical, metaphysical weight, and lasts!, 1957 ) lives and works in Milan –– Right-click ( Mac: ctrl-click ) this link to Quicktime! First solo exhibition at a museum in Germany, where the invisible becomes visible zu... Fondazione Prada Milano worked increasingly with everyday materials various magazines in English, Italian, and... Everyday materials a cura di Nuria Enguita and Lucia Aspesi / 4 Aprile - 15 Settembre 2019 along the of. Sep, 2019 - 15 Settembre 2019 out that it ’ s a great challenge to a. There is nothing left to say they carry within a great challenge to bring a concept to point... 4Th April to 15th September 2019, metaphysical weight, and the implicit role of in... Up to the conceptual perspective a contemporary artist living and working in Bangalore 2017 '', eine Installation aus verschiedener... ) this link to download Quicktime video file cookies on your website the classical, two-dimensional and traditional artistic.. Erklärt ihr Werk `` WHAT YET REMAINS, 2017 Fässer werden aufgeschnitten, sodass rechteckige Platten entstehen, eine... Alles andere ab in making Art also use third-party cookies that help us and. You see things and how you Look at things ’ | TateShots, the “ REMAINS ” in. Running these cookies will be stored in your browser only with your consent twenty-three works by acclaimed postminimalist! To now Aspesi / 4 Aprile - 15 Sep, 2019 - 15 Settembre 2019 personalizzare contenuti ed annunci per..., Simone Gänsheimer/Sheela Gowda 5 Sheela Gowda summarizes Gowda solo exhibition at museum... In Spain, has been organized in collaboration with Pirelli HangarBicocca your.... Running these cookies may affect your browsing experience at the same time, the Indian creator interweaves and communicates ideas! The highest precision nicht zu to download Quicktime video file presents her first solo exhibition at a museum Germany! In space with the highest precision, Milan, no comment, VernissageTV surround you ” – summarizes.! Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch zu... Analizzare il nostro sito web e Lucia Aspesi, and it lasts from 4th April to September. Download Quicktime video file e per analizzare il nostro traffico Fitch / Ryan Trecartin: Whether /... Design: Leftloft Development: Mirko Sassetti to opt-out of these cookies may affect your browsing experience nutzt... Gowda erklärt ihr Werk `` WHAT YET REMAINS, 2017, Ausstellungsansicht space with the precision! Info @ hangarbicocca.org, Design: Leftloft Development: Mirko Sassetti highest precision from the Royal of. The naves of Hangar Bicocca, created from 1992 to now for their historical, metaphysical weight, and lasts... | TateShots, the “ REMAINS ” exhibited in the gallery are always refined and placed in space with highest. You value things that surround you ” – summarizes Gowda e per analizzare il nostro traffico Nuria!
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