Kate and Sawyer’s eyes continue to flash concerned, as Walt continues: WALT: They’ve been coming here and visiting me. More gray-haired and wrinkled, looking a bit startled in the eyes by Kate’s sudden move, and we get a slow pause on his expression as a mildly apprehensive variation of Ben’s theme (like 2:16 – 2:29 though a bit quicker and softer) playing with the unexpected air of the moment. SAWYER: It ain’t right, that a corporation can just meddle in people’s lives like that. We hear a small but sad variation of Claire’s melody, as she clarifies: CLAIRE: I shouldn’t have come with you here. He is rummaging through a dry bag that has bottles of water and food in plastic and other little provisions inside. As he leaves, the men begin to uncuff Kate, Sawyer, Miles, Lapidus, and Richard. Richard looks at him for a moment. Galen nods. ], [Jack shakes his head. We are hearing what almost sounds like the haunting exploration theme, but the notes seem inverted at times from how we would normally hear them on the first island. Maybe everyone else. We see a shot of Claire as she witnesses Walt’s act. Claire takes her hand comfortingly, as Kate’s eyes get a little watery. KATE: So what if we don’t agree to lie for you? We see the group become scattered as we see various shots of each character, Kate, Sawyer, Claire, Miles, Walt, running desperately through trees, hopping over tree limbs and trunks, barely being able to see through the pouring rain. Ever-changing group dynamics are endured while unanswered questions pile up about the island and its existing inhabitants, both human and inhuman. Her thank-you conveys a lot of gratitude, both for Kate convincing her to leave the Island, as well as for raising Aaron. She is alone in the storm, shivering, and thinking back on that exchange she had with Claire long ago. He was frail, bleeding. Claire then raises a question that has been on her mind. We then see a full view of the subject’s freckled face: it is Kate Austen. BEN: It looks like we’re all accounted for, except for Hugo and Walt. Kate motions her arm around the upper-right diagonally of the group’s trajectory. We are hearing what almost sounds like the. But Sawyer’s expression is one more of concern than anything. low places, you can bend much of the world to your accommodations. Sea Turtles: The Lost Years. SAWYER: No, we’re well beyond destiny. I’m not sure that’s the only reason we’re here. We hear the sound effect of suction of something swinging open (0:00 – 0:03), followed then by a thudding sound effect as the darkness cuts to a subject: not one, but two green eyes — suddenly swinging open, the subject’s right eye with a glint of sunlight reflecting, the left eye shaded. GALEN: Unfortunately, Mr. Alpert, a corporation must stay steady in order for it to sustain its influence. Sawyer: Josh Holloway. SAWYER: We came to check on you. As Miles walks across the lovely green farmland, a soft variation of. Claire stands cautiously. Rain pouring down, thunder roaring. He begins to walk out of the room, and waves a signal to the enforces in his room with his fingers. The door then opens — and out steps, in curly hair and business attire, none other than Hugo “Hurley” Reyes. Waiting for a new leader to follow in these trials ahead. At some point, Kate walks next to Walt. Then Claire says in little more than a whispered shriek, heavily distraught with fear and despair in her eyes, unable to believe the horror what she is hearing: Claire and Kate are sitting in the dark room, petrified expressions still on their faces, barely illuminated by the camera for the audience’s sake. Marshal: Frederic Lane. Walt yells as well, struggling as the Monster tugs at him from his legs in the hole, while Sawyer and Kate desperately hold onto him from his arms and upper torso. Kate appreciates her continued gratitude. KATE: I’m sorry we haven’t come to see you sooner. The camera continues to pan along the side of the plane, the Oceanic Six theme softly building, until the camera zooms into one of the windows, a subdued ratty-haired Claire Littleton and a hopeful Kate both seated and staring out. Just don’t go doing nothing stupid, ya hear? A HEART-STOPPING BOOMING SHRIEK, AN EARTH-SHATTERING BURST, We hear a slight piece of music from the Pilot, subtle but eerily haunting, for a couple of seconds (0:03 – 0:05), We hear another familiar haunting piece from the Pilot (0:59 – 1:27), a defeated variation of the Man in Black’s theme (0:42 – 0:48), uplifting variation of the survivors’ theme, mildly apprehensive variation of Ben’s theme (like 2:16 – 2:29 though a bit quicker and softer), (like 2:29 – 2:35 from the same scene before, though a bit softer still), Monsters Are Such Interesting People (1:01 and onward). He steps forward, carrying an air of authority. It was lost over the Pacific, and, member of the Oceanic Six ever boarded it. The smoke monster hovers in place for a few long moments in the rain, a lump of smoke in the front like a head seemingly staring forward, with a soft cacophony of mechanical and animalistic sounds, as we see a quick shot of Kate and Sawyer’s petrified and bewildered expressions, and then a brief shot of the continuing red flashes from the lightpost. Kate finds a group of trees closely clumped together, and Kate quickly grabs Claire’s arm and pulls her with her into the clump of trees to hide inside. MILES: … Well, I think this is just the beginning. In the first-season finale, the escapees on the raft hit troubled waters while back on the island a stranger's arrival and the opening of the hatch pose serious threats to the remaining castaways. CLAIRE: I sometimes wonder what it would have been like to have Jack in our life. The music has quieted into silence again. An terrible mechanical rolling sound can be heard extremely close outside, sounds familiar to both to Kate and Claire as well as to us. And more than that, he’s special. And I’ll be there with you the rest of the way. Assorted Analyses aims to write in-depth commentary on various subjects of artistic entertainment, with perspective informed by my faith. Miles, smirking, holds up a few diamonds – Nikki and Paulo’s diamonds – in his hand, catching Sawyer by surprise. The last five years are a mystery to a man and a woman. In the moment they’re dying? He motions his hand towards the bodies in the barn. The Ajira Six pause, now sensing strongly that something is not right. The theme transitions into. We see a shot of Kate’s expression as she thinks on with some maternal instinct, and we hear the woooooooooshing sound effect as the scene then transitions to: We are now on a shot of Kate walking with the group (Sawyer holding the rifle, Claire, Miles holding the extra gun case, and Walt wearing the dry bag) through the gray, palm treeish expanse of Island 2. Claire seems to be referring to something which we the audience have not been yet made aware. Claire's nightmares trigger flashbacks to her split from the father of her unborn child and meetings with a scary psychic, warning of the baby's dire fate. Sawyer then emerges from the cabin to speak to the passengers – Claire, Kate, Miles, and Richard. Elsewhere, Sayid sets in motion his plan to isolate the origin of the French distress signal, in the hope that it could provide a means of finding a way off the Island. We see the group become scattered as we see various shots of each character, Kate, Sawyer, Claire, Miles, Walt, running desperately through trees, hopping over tree limbs and trunks, barely being able to see through the pouring rain. Kate smiles back, being brought back to the reality of the good choice she made. The music trails off, as the three of them turn around to see Miles and Ben emerging from the trees. We heard you came here after your grandma died. Everything’s gonna be okay. SAWYER: Well, so much for getting that Oceanic settlement…. for the next few moments. Teen Wolf Season 7 Teen Wolf Episode1 (HD) We hear the woooooooooshing sound effect as the flashback ends and the scene transitions to: The camera is now on Sawyer, his eyes showing reminiscence of the Ajira plane’s landing, as he leads Kate and Claire through the gray of the forest, palm trees surrounding them. Please try again. We can hear the heavy, anxious breaths of the two women, concealed in the dark except for the dim dusky light outside – we the audience can see them a little clearly via the camera’s enhanced perception of light. SAWYER: And whaddoyou think’s gonna happen now?! SAWYER: Me neither. There are a few moments of pause in peace. As they catch their breath, their attention jerks to a sound in the trees close by and the camera turns to look in that direction. There is some sadness in Claire’s eyes at this, but even more sadness in Kate’s eyes. Claire: Emilie de Ravin. SAWYER: Not yet. Her next name is shouted more softly as she begins to realize she is alone. Part 1 of 3. Miles turns to look at them, holding the bag, he pulls out a water bottle from it. The music blares dramatically now. Change ), You are commenting using your Google account. Lapidus continues to fiddle with the radio, trying different signals, but still getting the same eerily strange scratching and whistling static, and a look of frustration and mystification across his face. He finds the discarded rifle, which he quickly grabs and picks up, and the dry bag, both of which he straps over his shoulder. At least things are beginning to look up for Sayid, who makes a grand romantic gesture to Shannon. But Sawyer stumbles harshly to the ground, as we see his foot caught in a hole of mud. – Hurley, I believe in you. TVPG. SAWYER: Maybe it would have been better to stay home, for what this place will do to us. Kate proceeds to resume her hurry through the forest, the music once again building in a frightful suspense, as rain begins to drop, steadily building with each step Kate takes in her run. Her eyes widen in apprehension – as a blowing horn musical piece quickly builds up – as she instinctively reacts to the figure coming out – she grabs it harshly in swift manner – the figure still out of shot, to the left of the camera’s view – and she slams it against the tree trunks. KATE: You don’t mean destiny? BEN: We came here to enact Plan B, should Hugo’s Plan A fail. KATE: I shot him. She too begins to regain consciousness. Claire is of course referring to everything – returning back to home life, raising Aaron, returning back to sanity. She pauses again and we see her standing, staring in our direction as there is a couple of flashes of something red in the camera. Wildlife chirping, thunder still roaring, Kate alertly listening. Sawyer escapes, and Kate and Jin go after him. Claire approaches Kate, and the two embrace like sisters reunited. A familiar sight of something like billowing smoke clumped as one being, speeding in an almost slithering manner around the trees towards them. You didn’t have to come here. The two pick themselves up, and the camera quickly cuts to them walking through the silvery trees again, everything drenched from last night’s rainstorm. We see a couple of dark vehicles pull up onto the tarmac as well, approaching the plane. Miles is silent for a moment as he thinks, still walking with Ben following behind him. The music quiets down enough so that we can hear dialogue. Kate and Sawyer’s expressions turn concerned. He feels he’s. outside. A ticking, mechanical hovering, of something stalking closely. Rain still pouring around. GALEN: Then… we will release records to law enforcement implicating the involvement of all of you. What is he thinking?! He’s gone. Kate nods in agreement, then glances at the window again. He bends down, holding both his hands to the heads of the bodies, clenching his eyes shut. We hear another familiar haunting piece from the Pilot (0:59 – 1:27), though inverted at times as we see a few quick shots cut together of them wandering, Kate’s expression determined, Claire’s a little “spaced out”. Claire is also being dragged with them, still unconscious from the sedative. The deputy exchanges it for the rifle with his sheriff. Leadership fears plague Jack, who's also tested by recollections of a troubled youth and exacting parents (Veronica Hamel, John Terry) that he flashes back to during a surrealistic jungle trek. Sawyer shrugs with a vague air of frustration. We cut back to Sawyer, Kate, and Claire standing with distressed expressions around the pit in the forest. Kate pauses, taking it in, the burden of her choice. Waiting for a new leader to follow in these trials ahead. The two stand anxiously, the light from the vehicle already shining on them, the two of them prepared to run at any given moment. You’re strong, Claire. SAWYER: Just follow my lead, everything will work out. Sawyer motions his arm ahead. … You’re the first ones I’ve seen here. Sawyer struggles to free his foot, and looks exasperated as Kate comes to grab it. Arzt: Daniel Roebuck. I mean… it is crazy…. SAWYER: Old times. Subtitles ... 7. KATE: I still think about him. Her dark brown hair is soaking wet. KATE: It’s the only way to protect our children. The reclusive Locke (Terry O'Quinn) is willing to help Charlie (Dominic Monaghan) wean himself away from his drug habit -- but he won't explain why he has suddenly become so generous with his time. SAWYER: Now I know we’re back in old times, arguing about who gets a gun. Of course, we know she means the Man in Black who was in Locke’s form. She raises a hand to stop Claire from moving further past her. Cooper: Kevin Tighe. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. … I had to grow up living with that. MILES: So we tell them that we landed on a magic moving island where everyone was killed by a smoke monster. WALT: But that doesn’t make any sense. I know it’s been ten years…. … I mean temptation. …, Kate looks at him with a glint of surprise in her eyes at his anti-crime sentiment. He is standing tall next to the structure on the ground, as we faintly hear Michael and Walt’s theme for the next few moments. And Hurley? It’s something almost familiar, lying on its side, though the limbs of trees are obscuring it. Sawyer nods, though hesitates, watching the creature in pursuit, firmly but politely being released to anymore! Limbs, vegetation overgrowth daddy shot my mom, then circle back around South looking outside at the powerline there! The submarine, well so do we they can ’ t he — reassuring confidence: Kate whispers back Los. 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