Their “Dark Side of the Moon” broke the longevity record … Written by Frank Black after he went scuba diving, the track landed in the middle of ‘Surfer Rosa’ in all its wild, wind swept glory, anchored by Kim Deal’s ‘Ooh-Woo’’s and a simple guitar riff. Welcome to our list of the 200 best songs of the 1980s. Years ahead of the shoegazing scene that desecrated then tranquilised his style, Kevin Shields was building walls of noise that played around with the very concept of tempo and sound. Despite the sweet ‘n’ sugary melody and big, glacial chunks of shimmering guitar, there’s a dark underbelly – the disturbing Lolita-like tale of the romantic frisson between a 5-year-old girl and her would-be suitor, who just so happens to be a 50-year-old bloke. Two of rock’s biggest behemoths joined forces as Bowie and Freddie Mercury belted out a big, show-off collaborative anthem. It was a musical tour de force too, combining ska, lovers rock and more into a cyclone of musical genre splicing – another example of The Clash mixing it all up to create something brilliant and new. Hindi Retro Hits 1980 playlist songs are in Hindi language. Dressed in scratchy pre-grunge threads, ‘Freak Scene’ really lies somewhere along the wavy line between The Only Ones’ ‘Another Girl Another Planet’ and Pavement’s ‘Summer Babe’, slack as it wants to be but still cute as hell. Here, however, we whittle down a decade of societal decadence and political decay into the 100 tracks that defined it. Though, these days, a cape trip is about the height of Madge’s tabloid-baiting power, the queen of the pop controversy used to trade in far more eyebrow-raising fare. Whatever you thought of the fashion, the 80s fuelled some absolute bangers. (This does not include the, This page was last edited on 18 January 2021, at 07:25. All that “If the devil is six…” business was supposedly a jumbled reference to Hebrew numerology, a truly apocalyptic slant to the rest of ‘Monkey Gone To Heaven’ which has more immediate environmental concerns. And so it was with ‘Pacific State’, a mixture of sexy saxaphone skronking and brain-burrowing bass so relentless it could worm its way into your noggin and stay there forever more. Nowadays, the video looks at best naff and at worst a bit pervy, as Simon Le Bon and co hop aboard a speedboat and whip out their binoculars to ogle some bikini-clad beauties. It’s a Byrdsian jangle with that essential Madchester swagger and bite from Ian Brown’s lyric, later better known for devolving into cries of “Amateurs!” as The Late Show‘s power blew. The list on this page is for all #1 hit Pop singles for 1980 using proprietary methods. But props, too, to Jon Bon Jovi and Desmond Child for their colossal chorus and some “gritty” blue-collar lyrics straight out of Springsteen for Dummies. Curtis’ lyrics read like a suicide note (“There’s a taste in my mouth as desperation takes hold,”) but there’s something weirdly uplifting about the way the song hurtles towards that final chorus. No. A smash No.90 hit, ‘Made Of Stone’ nevertheless brought the Roses to wider attention, making some waves on the indie chart and encouraging the kids to check out the album that would become their all-time favourite. https://www.youtube.com/watch?v=7q5WjYjzrEQ. ‘Love Action’ boasts at least three warring synth riffs – from Ian Burden, Philip Adrian Wright and Jo Callis feeding his guitar through a Roland 700 – each of which could fuel a Top 3 hit by itself. Splutters into life with the wheezing strains of a dusty harmonica before exploding into a full-blown yarn of a dwindling country economy in which times are hard and work is scarce to find. But combining it with a gigantic gospel-tinged chorus the world could sing along to? Instead, ‘Run To The Hills’ is an adrenaline-fuelled rush of conflict, all galloping drums and hammer-blow guitars that makes the blood-thump of battle ring in your ears. Featuring a fistful of samples, this pivotal rap tune would be the foundation of a number of soul numbers including tracks from Soul II Soul and Enigma. Depending on what mood Dave Lee Roth was in, the charismatic vocalist used to tell journalists that ‘Jump’ was either about a man standing on a ledge about to… or a stripper. Hot R&B/Hip-Hop Songs is a chart published by Billboard that ranks the top-performing songs in the United States in African-American-oriented musical genres; the chart has undergone various name changes since its launch in 1942 to reflect the evolution of such genres.In 1980, it was published under the title Hot Soul Singles. ‘Two Tribes’ was the follow-up to the censor-baiting ‘Relax’, but it was a monster hit in its own right – even though it didn’t induce the same foaming-mouth fury as its predecessor, it still topped the UK charts for nine weeks. Robert Smith aims solely at the heartstrings with a gorgeous, gilt-edged guitar line and some of his most unabashedly starry-eyed and soppy lyrics to date. ‘Buffalo Stance’ came along at a time when dance, hip-hop and pop were creating thrilling hybrids (see also ‘Salt N Pepa’s ‘Push It’ and Tone Loc’s ‘Funky Cold Medina’). Each volume in EMI Germany's extensive Best of 1980-1990 series features at least two discs worth of hits, providing a very broad, nondiscriminating representation of the period. ‘She Bangs The Drums’ saw the Roses tipping their caps to the ephemeral moments one has with a new sweetheart, with John Squire later comparing it to “staying up til dawn and watching the sun come up with someone you love.” The penetrating bass, and the ‘endless summer’ vibe of the music, expressed these emotions with perfect eloquence. Quite a sweet chorus for a Pixies song, really, but nicely offset by some deranged Black Francis screaming about “GOD is seven!“. calendar of rock number one songs : 1980 One Hit Wonders. Artists by total number of weeks at number one, Songs by total number of weeks at number one, Caribbean Queen (No More Love on the Run), I Wanna Dance with Somebody (Who Loves Me), I Still Haven't Found What I'm Looking For, Baby, I Love Your Way / Freebird Medley (Free Baby), List of UK Singles Chart number ones of the 1980s, "Hot 100 55th Anniversary: Every No. Away from the titanic egos, though, John Deacon proffered one of pop music’s most iconic basslines (though there’s some controversy over whether he wrote it, or Bowie did). The peak of AC/DC’s lithe, fat-free years. © 2021 NME is a member of the media division of BandLab Technologies. Hooky’s bass was delicate and pounding and Bernard Sumner’s vocal line was deceptively boyish. Us. It’s a shimmer that remains even as Curtis grips the microphone with increasing intensity. In March 2005, Q magazine placed it at number 31 in its list of the 100 Greatest Guitar Tracks, and in 2008 Rolling Stone Placed it number 18 on top 100 of Best Guitar Songs of All Time. Yet there’s something about The Boss’s masculine-yet-balmy vocal that’s immensely comforting; dreams are dashed, the river runs dry, but somehow, everything is gonna be alright. Still, we all know it’s just a chance to air those patented hiccups, brutally stark beats and an immortal bassline from Louis Johnson. Februar 1980 2 Wochen (insgesamt 8) 8 Goombay Dance Band: Sun of Jamaica Wolff-Eckehardt Stein, Wolfgang Jass – 4. Though these sets obviously deal with songs that were popular in Europe, they translate well to American music fans, since the majority of the selections were hits in both territories. Some think it’s about him and Johnny Marr, pals forever as they fall under a 10-ton truck, but it’s probably just a fantasy unfurling around the soaring strings. Whether you were donning your finest spandex and getting tiddly on Cinzano or putting on the leathers and devil-fingering to Guns’n’Roses, it’ll still go down as the most diverse, eclectic and extravagant decade in recent cultural history. "Blitzkrieg Bop" was named after the German World War II tactic blitzkrieg, which literally means "lightning war". As hip-hop and techno set the cultural pace at the close of the 80s there weren’t too many thrills going on in rock, a wasteland of post-MTV excess. He’s talking gibberish, surely: the slow-burn beginning is fantastic, true, but the whole ruddy song – with its balmy organ waltz and irrepressible feel-good factor – is the sound of Talking Heads at their most wonderfully accessible. And until Cher came along with ‘Believe’, it made co-vocalist Grace Slick the oldest female singer to ever have a Number One hit. For most bands, this song would be amongst the weirdest in their arsenal; it’s testament to The Fall’s bizarre brilliance that it’s one of their most straightforward. With ‘Three Feet High And Rising’, De La Soul’s pivotal rap album, the trio ushered in the Daisy Age- a touchy-feely era which contrasted with the harder, more gansta rap elements in the scene. That was the real master-stroke. Whatever the truth was, it gave them their first US Number One and successfully managed to reinvent Van Halen as a synth-using pop rock band who weren’t afraid of massive, massive hooks. A sampling masterpiece from Bomb The Bass, aka producer Tim Simenon, who lays down an explosive foundation of bowel-slackening beats before weaving in random snippets of sound from, amongst others, Thunderbirds and The Good, The Bad And The Ugly over the top. Public Enemy’s first UK top 20 hit (they never had one of them at home) is as naggingly catchy as any hip-hop smash had to be back in 1988, a relentless squirt of whistles and looped beats absolutely peppered with quotable rhymes and Flavor Flav madness. A pretty nifty way of trying to impress your other half, that. This song is a painful reminder of just how much more Lennon had to offer musically and as a human being. Only Neil Tennant could wedge his tongue so far in his cheek to set a rousing defiance of his Catholic upbringing to hi-NRG opera. He achieved this with his songs "Faith" and "Careless Whisper". Not convinced? The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. https://www.youtube.com/watch?v=AWtCittJyr0. 1 Song (1958-2013)", https://en.wikipedia.org/w/index.php?title=List_of_Billboard_Hot_100_number-one_singles_of_the_1980s&oldid=1001103610, Lists of Billboard Hot 100 number-one songs, Creative Commons Attribution-ShareAlike License, When adding the weeks for all of Phil Collins' number-one singles during the 1980s, it comes out to 15. Released as a standalone single following their gargantuan 1989 debut, ‘Fool’s Gold’ saw Ian Brown serve up some mystic baloney while the rest of the band did the heavy lifting – Mani leading the tune, John Squire going all Sly and the Family Stone with his wah-wah licks, and Reni giving a ‘Funky Drummer’ masterclass that rendered all other baggy redundant. Their career would sidestep into darker territories subsequently, but this was their flushed, pop peak. There were still good records to be made but this straddles the eras, anthemic but nasty with enough of a whiff of the underground to keep the early adopters on board. The top 100 1980 lists the 100 most popular hits in the UK singles music charts in 1980. This playlist was created by Gaana on 12 Jan 2015. Penned from the perspective of ship workers in Britain at the time of the 1982 war, it was a bold message of non-compliance. With Bobby Gillespie gone, they’d switched to crisp drum machine beats and ‘April Skies’ was almost conventional in structure. And one inclusion -- Bell Biv DeVoe's "Poison" -- came out in 1990. https://www.youtube.com/watch?v=CMThz7eQ6K0. number one pop songs on any date, birthday, wedding, graduation, etc: 1980 Number One Rock Songs. Where it all got going. Enjoy … It wasn’t just a key song in the C86 tape movement, it was a key moment in Primal Scream’s career. A slice of Freudian autography, the deceptively simple music was played by the man himself. Mohammad Alam. It opened new vistas for the band, making them the stars they always knew they were. Supposedly inspired by real-life reports of Iranians being flogged for owning forbidden CDs, Joe Strummer knocked up a farcical fantasy of pilots ignoring orders to bomb the transgressors and crank up the volume on their cockpit radios instead. Play 1980 hit new songs and download 1980 MP3 songs and music album online on Gaana.com. The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. https://www.youtube.com/watch?v=dLBx3g8cowY. http://players.brightcove.net/19012535001/default_default/index.html?videoId=1414932997001. A goth love song? Perhaps its key trick was the slowing down/speeding up of the track mid song. The Smiths’ second single succeeded where ‘Hand In Glove’ had failed, piercing the Top 30 and getting a bunch of gladioli on Top Of The Pops. The Bunnymen’s lasting classic has a Hollywood ending – an appearance in 2001’s Donnie Darko that introduced them to a legion of new fans. Top 50 Pop Songs of the 1980's YouTube Playlist: https://goo.gl/UBYVNW Spotify Playlist: https://goo.gl/c7ZysX The title track from Kate Bush’s comeback album (after only three years away – those were the days) is a hearty rush of passion, a headlong tribute to the unfettered impulses of love, heavy on the drums and swooping on the strings. Januar 1980 – 3. This brilliant, stately number was written by Elvis Costello as a much needed protest track against the Falklands war. Tweet. 2 Roger Waters – 25. list of one-time top 20 makers and others with one … ‘Hallelujah’ is a mess in the fine tradition of ‘Bummed’, a dirty loping funk held together with sticking plasters and – in all probability – Shaun Ryder’s “junk”. Between the 1986 vaudeville funk of ‘Parade’ and the following year’s state of the cosmos address, Prince had ditched The Revolution – in name at least – and set about taking full credit for his new clear-eyed vision. As the cast of Grange Hill would prove later in the decade, it’s nigh-on impossible to sing an anti-drugs song without sounding like a bit of a berk. Cameo had been around for donkey’s years, even occasionally sidling into the UK charts with the ultra-smooth funk of ‘She’s Strange’ and ‘Single Life’, but it took an enormous red codpiece and silly twang to make Larry Blackmon a true star. Yet with 1987’s ‘Music For The Masses’, Depeche Mode were in a rich vein of form, and ‘Never Let Me Down Again’ is one of their very finest: an ink-blotted masterpiece, from the gloomy synths right down to Dave Gahan’s molasses-rich vocal. And that message is “Don’t look back/ You can never look back“. Binaca Geetmala Annual List for Year 1980 - Page 1 of 4 Lyrics and video of hindi film songs which appeared in annual show of Binaca Geetmala in the year 1980 Mobile (Responsive) Version of this page Ex and future Eagle Henley has lost his lover and his direction, but hey – there’s still a lot of cash to be made. Though New Order’s dancefloor fillers were far removed from Joy Division’s bleak nihilism, there was a no nonsense approach to both that united Bernard Sumner, Peter Hook and Stephen Morris’ two ventures in direct and uncompromising brilliance. Supposedly written by frontman Mike Scott on the back of an envelope to show-off to his girlfriend, ‘The Whole Of The Moon’ is undoubtedly The Waterboys’ definitive track – a moon-soaked ditty that’s full of dreamy, wide-eyed wonder. As it was, it didn’t matter that he was hitching a ride because the song was perfect – odd, self-referential and as pure pop as he’d never be again. Can you imagine Christmas without it? Dusty Springfield for one, still able to invest a song with lovelorn ache with just one husk of her voice. From the squall of 1977’s ‘White Riot’ to this 1982 parting shot. In 1980, Prince, Tom Petty, Air Supply and Christopher Cross made the top charts for the first time. That told ’em. Sitting pretty between ‘Everything’s Gone Green’ and ‘Blue Monday’ in New Order’s early 80s run of astonishing singles, ‘Temptation’ is about as close as they came to a pop song at that point – there was just too much groundbreaking sonic exploration to get caught up in. This surreal mix – Colourbox and AR Kane, Dave Dorrell and CJ Mackintosh – produced a record that was clever enough to woo the purists, pop enough to top the singles charts and cheeky enough to get torpedoed by a writ from Stock Aitken Waterman. One of the finest examples of Mark E Smith’s musical mantra of “Repetition, repetition, repetition”, as The Fall’s curmudgeonly ringmaster incessantly shrieks the chorus over the off-kilter hook of a honking horn. Talking Heads and Brian Eno created this most postmodern of tracks. What’s a Deadhead sticker doing on the back of some posh Cadillac? Die erfolgreichsten Hits 1980 der Single-Charts in Deutschland. The track that sent ‘Thriller’ interstellar casts Jacko as an unlikely daddy in the dock – far-fetched, but apparently based on a real accusation from a crazed fan. The result was indie gold. Instead, it’s a celebration of debauchery, a whirlwind of sludgy guitars and tongue-in-cheek jokes about lackluster blowjobs. But look at that Jesus Christ pose on the sleeve, listen to the talk of “sacrifice” – there was more going on here, and a killer middle eight to boot. after a messy break up, this was a soft rock anthem which remained atop of the UK singles charts for weeks and weeks. Ah, the 80s - whatever you thought of the fashion, 80s music was absolutely splendid? A Number one in 17 countries, Marc Almond and Dave Ball stepped out the British avant-garde synthpop scene to produce something that was a pure pop statement of intent. https://www.youtube.com/watch?v=XmSdTa9kaiQ. Pivotal in its use of samples, Mark Moore borrowed from songs by the likes of Gil Scott Heron, Debbie Harry and Stacey Q for this acid house banger. Punk survivor Cherry sounded effortlessly in control as she rapped about her crew (based on the very real Buffalo crew), making the listener feel totally part of her world. The drama of Almond’s delivery went perfectly with the chilly brooding synth lines Ball had crafted. ‘Time After Time’ was demoed quickly in time for inclusion on her debut ‘She’s So Unusual’, and ended up being a key song for both Lauper’s career and the decade itself. If only all debut singles were as self-assured as The Sundays’ inaugural bow. 1980 Songs Download- Listen to 1980 songs MP3 free online. März 1980 Creepy, but bloody brilliant all the same. – but it’s hard to glean such subtleties when you’re being battered with a heavy metal sledgehammer. James Hetfield claimed this was about how taking shitloads of drugs makes it impossible to function as a normal human being – whodathunkit! Like nothing else in the Smiths cannon, it paired Morrissey’s most painfully personal lyric (“I am human and I need to be loved just like everybody else does”) with Marr’s most musically inventive soundscape (he later cited obscure disco songs as influences). Februar 1973 ... einziges Fernsehkonzert von David Bowie – „mit den weltberühmten Songs Heroes, TVC 15, The Jean Genie, Rebel Rebel und dem Weill/Brecht-Titel Moon of Alabama “ – Ausstrahlung: 4. George Michael was the only artist to achieve two year-end Billboard Hot 100 number-one singles in the 1980s. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Legend has it that Talking Heads’ main man David Byrne only added the choral intro to ‘Road To Nowhere’ because he thought the track was too simple. Can you imagine Christmas without Shane MacGowan slurring away, Kirsty MacColl double-tracking her own vocals and all your mates bellowing in your face that you’re an “old slut on junk“? J Mascis goes hell for leather under waves of pure noise but this is the sweetest shot of ‘friends4ever’ mayhem, an invitation to Lou Barlow to come back before he’d even left. Produced by Stock, Aitken And Waterman, ‘You Spin Me Round’ spun a new disco web around Pete Burns’ catty vocal style. Penned by Christine McVie about new husband Eddie Quintela, it was McVie doing what she did best; a simple song about the joys of new love. It strikes a note of regret, a sense this is the best it’s going to get, but – artistically at least – the truth was far from it. Listen free to Various Artists – 100 Hits of the '80s (Wake Me up Before You Go-Go, Girls Just Want to Have Fun and more). Rank Song Title Song Artist Year Genre; Top songs of the 1980's is updated by the minute by Gigbuilder - The world's most popular Event Management System. [sidebar id=”premium_inline_before_last_p”]. Alongside Depeche Mode, OMD helped fly the flag for forward-looking British electro pop in the 80s. It’s become a tin-whistling, string-soaked standard that lost out on the festive No.1 to the mighty Pet Shop Boys but comes back for another crack year after year. It’s Spinderella’s record, scratching and diving between the proto-rave synths, while Salt-n-Pepa limit themselves to the occasional quickfire verse. It introduced us to a chap with NHS specs, a superfluous hearing aid and a way with words not heard in British pop since – ooh – Ray Davies? HD movies & songs. The people of Britain were “getting angry”, and this was mirrored in the song’s haunting production and sense of dislocation. 100 tracks (422:53). No, it's not just you. Pink Floyd – Comfortably Numb. The signs had been there in the clattering jam that ended ‘I Am The Resurrection’, but this was still a seismic shift for the Roses. Its air of mystery slotted handily into the film, but Ian McCulloch knew he had a belter on his hands from the moment he woke up one morning with the chorus already in his head. Who were the rock’n’roll rebels now? Propelled by war-hammer drums and the bomb-like stomp of him thwacking his guitar, it also has some of the Modfather’s finest lyrics to boot as its righteous damnation of the Government’s nukes-over-society policy cemented his place as one of the UK’s greatest social commentators. Named after the American plane that dropped the atomic bomb on Hiroshima, ‘Enola Gay’ married Andy McClusky’s brilliantly quizzical vocal and placed OMD’s unstoppable mesh of synths and programmed beats front and centre to create a pop classic. This is Phil talking, and he believes what the old man said. Written for the film Mannequin by Albert Hammond Jr’s dad (really!) “Here I go!” she shouts, unable to control herself, and you’re whipped up with lust alongside her. Over 30 years later, it’s still unbeatable. Released one month before Ian Curtis’ death, NME‘s original review called the song a “tombstone”. The guitarist rescued the tool from mid-70s Peter Frampton ignominy, to give us the “ooh-wa ooh-wah” sound that ate the world. The one that got the Mondays on Top Of The Pops is a far cry from the sequenced beats of ‘Pills ‘N’ Thrills And Bellyaches’ that established them as baggy chiefs. Even with the inexplicable slip, it's hard to fault the contents of a disc featuring nothing but number one R&B hits. All the more kudos to hip-hop pioneer Melle Mel, then, who used the catchiest of R&B grooves and street-smart rhymes to make the whole Just Say No message sound a lot more exciting than it had any right to be. Mixing a punk sneer with rockabilly aggression, this track strutted into the mainstream, following the blast of ‘Rock The Casbah’ and managing to show what a diverse and eclectic bunch the quartet had grown into. Touching upon the breakdown of the relationship with her boyfriend/manager, ‘Time After Time’ was a change in tack for Lauper, whose musical persona had previously been unstoppably light and frothy. It would prove a natural fit for The xx ,who memorably covered the song years later. Online at Last.fm pop singles for 1980 using proprietary methods against the Falklands war and. Tidied up since the thrilling mess of ‘ Psychocandy ’ and `` Whisper. 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