Intertextuality can be shown through allusions, quotations, and objects in a piece of work or text. Intertextuality shapes the meaning of a text by another text, but an adaptation can change more than just the text. For it is because of this likening of Mr. to evil why many Black male spectators are so against Spielberg’s adaptation of The Color Purple. Adaptation is keeping the core characters/story in a preexisting work in order to retell the story or tell the story in a different way. Similarly, Nettie drops a copy of Oliver Twist which is a novel which tells of a ill-treated boy who eventually escapes; which foreshadows what happens to Celie eventually and Nettie as well who runs away from her attacker. Adaptations may and are likely to include intertextuality but don’t necessarily need to do so if the author of the adaptation does not view this as necessary. Taking advantage of adaptation theory as its theoretical frame-work, this paperattempts to delineate how, in terms of storyline and characterization, theseriesstagesthesemultiple“texts” simultaneously. However, adaptations look at the story as a whole. In Film Adaptation and Its Discontents: From “Gone with the Wind” to “The Passion of Christ,” Thomas Leitch identifies a split between adaptation theory and film studies. Much of the current thinking about adaptation owes its orientation to Mikhail Bakhtin’s theory of intertextuality. Intertextuality involves references from other works that may not play a large part in the main story. And notice what she reads as this occurs. Intertextual referencing can do a lot for a film. She reads: “Oliver was the victim of a systematic course of treachery and deception.” And this speaks to her situation as well. Overall, the paper proposes that Shahrzad is a palimpsestuous hive of intertextuality. In the intertextuality video there was a reference to the film “Fantastic Beasts and Where to Find Them” as Mr. Scamander was making his suitcase appear “muggle worthy.” Since the Harry Potter series was so popular and the film has the same magical aspect to it, the audience most likely knows that “muggles” are normal human people. Additional links There is, though, some overlap (for example, Disney’s Beauty and the Beast). “Adaptation, Intertextuality, and Fidelity” examines why we continue to tell the same stories by focusing on the texts and adaptations of Robinson Crusoe (1719), Jane Eyre (1847),andFrankenstein (1818). Intertextuality has to do with recognizable and nostalgic things (people, places, quotes, items, images) from related texts. to be shared or transferred. Adaptation is a method used across different mediums to accomplish the same, the concept of adaptation allow more artistic freedom/liberty when retelling/telling the story. Intertextuality is a literary device used by authors to draw on text from other works to retell or tell a new story. (Maroh includes a brief school scene, but set only in hallways and lunchrooms, and her Clémentine is seen reading, but the text is unnamed and there is no discussion of it, of reading, or intimation of her intellect, and serving only to introduce Thomas as a first crush.) I have seen this many times mostly in movies and tv shows but i’ve never really paid much attention. "A Companion to Literature, Film and Adaptation is open to anybody interested in learning more about the process of translating the printed page into film. Intertextuality is the inclusion of different texts in a work, but an adaptation is the remaking of an original text. My aim here is to examine more closely this specific relation between intertextuality and self-consciousness, a connection which is neither automatic nor self-evident, and to investigate the meaning this relation may take in the context of adaptation, regarding Joe Wright’s film version of Atonement. Examples of adaptations are movies being made into Broadway shows, books being made into movies, etc. Intertextuality is the literal feeling that we get from our familiarity with an adaptation’s source material. Adaptation is when a story follows parts of the plot of another, as well as character similarities. An adaptation is a work that has been inspired by another work. Course content will vary. http://www.youtube.com/watch?v=N3vpFGbudpw. The recent installment in the film adaptation of this fictional character had been by filmmaker Dibakar Banerjee in his 2015 film Detective Byomkesh Baksy! It’s how language works. It is a great way to add substance and meaning to a film or any piece of Art/Literature. A film doesn’t need to be an adaptation to have aspects of intertextuality. Perhaps stories, narrative, and by extension, adaptations are not linear devices composed of characters, actions, and themes but a chain of intersecting narratives that cyclically recur – stories as intersecting smaller stories. It is not just influence or source but intertextuality in films is a mixture of all genres, discourses and art. This can come in many forms, with one of those forms being an adaptation. Books in Motion addresses the hybrid, interstitial field of film adaptation. This essay revisits Karel Reisz’s 1981 film adaptation of John Fowles’s The French Lieutenant’s Woman (1969) through the shift in film adaptation studies from fidelity criticism to Robert Stam’s notion of adaptation as intertextual dialogism, which draws on Roland Barthes’s theories of text and intertextuality and Julia Kristeva’s dialogic model of intertextuality. I think intertextuality is all about referencing something that is very well known so the audience can feel like they truly understand what is going on. I think that intertextuality is a connection between different pieces of literature such as the same character appearing in multiple connected movies while adaptation is a recreation of a piece of literature maintaining only a few key aspects. I feel that intertextuality differentiates with adaptation because it just deals with the text only. Intertextuality allows for two worlds to remain their own but simultaneously come together as one. Think of one example of intertextuality that you have seen in a film and one in a novel. The oldest example of intertextuality is New Testament that quotes or cites from the Old Testament. Such factors are the especial focus of intertextuality theory. The relation between such second-order creations and their source materials is not communicative but hermeneutic, depending on the translator's or filmmaker's application of … Texts that might be examined in this course include films, video games, television shows, novels, comics/graphic novels, operas, and musicals. This includes symbols, emotions, ect. ( Log Out /  Not having a wide range of knowledge one might look pass such references. Remember we start Mansfield Park this week. I think that intertextuality is the use of a text to create an image, to make you think of something else, or to give you the feeling you felt during a separate occurrence with said text. Horizontal intertextuality denotes references that are on the 'same level' i.e. Intertextuality is like sampling from a song in paying homage (interpolation) to something subtle while an adaptation can be a totally similar reworking with the original strip (cover). Hope you spent the weekend making headway on the novel. Using intertextuality as a literary device is a way for authors/creators/etc to influence the audience and bring them to think a certain way about an event or character due to what it is being compared to. Whereas, intertextuality is taking a book’s or film’s ideas, altering them, and making something completely new out of it. The course emphasizes discussion on a broad range of narratives and uses comparative methods to understandhow these stories change. Related; Information; Close Figure Viewer. Search for more papers by this author. when books make references to other books, whereas vertical intertextuality is found when, say, a book makes a reference to film or song or vice versa. ( Log Out /  A prime example of intertextuality was highlighted in the film “the Color Purple” in class. Nicole, This comment is too late. Change ), You are commenting using your Facebook account. Hunter; Videogame Adaptation Kevin M. Flanagan; Part V Adaptation and Intertextuality. The alterations are due to a number of factors, including the difference in media, the number of individuals working on the production, and those viewing the film, or even time periods. Intertextuality is an element of adaptation; an adaptation uses intertextuality to stay relevant and elicit an emotional response in the reader/viewer. Thus, there is a reference to concepts mentioned in the Harry Potter series but “Fantastic Beasts and Where to Find Them” is not an adaptation of the Harry Potter films as they are completely different. Intertexts are usually short references to other media forms while adaptations are usually longer texts that seek to change an entire story into a different form. Change ), You are commenting using your Google account. The movie entitled “Date Movie” is an example of intertextuality as scenes in it are inspired by famous date movies and the novel “Wide Sargasso Sea” is an example of intertextuality as well as there are instances where it refers back to the novel “Jane Eyre”. Intertexuality in Art/Literature is nothing new. Intertextuality is a way in which we can perceive adaptations. However, intertextuality is different from adaptation because an adaptation expresses and acknowledges the influence of another work in a much more encompassing way. An adaptation is re-telling another story. That the content and style of Marivaux, rather than Maroh, informs the film’s first act is evidence of the film’s complex intertextuality. multimodal world of Hugo Cabret—the hybrid graphic novel, the film adaptation, and the novel’s official website—in an effort to better understand how intertextuality, convergence culture, and remediation play with media forms, represent an ideological shift toward participatory culture, and rework older, traditional media in the creation of I think that intertextuality is the overlap of concepts between two works that aren’t meant to be directly related, while an adaptation is almost like an evolution of the same concepts framed in different ways. The movie entitled “Date Movie” is an example of intertextuality as scenes in it are inspired by famous date movies and the novel “Wide Sargasso Sea” is an example of intertextuality as well as there are instances where it refers back to the novel “Jane Eyre”. 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